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Origin, Departure
Sacred geometries, international passages.
A new project produced in collaboration with Murad Khan Mumtaz and Triple Canopy
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Summer show at Tracy Williams, Ltd., New York
Recent drawings South Gallery Tracy Williams Ltd., New York
11 - 19 July 2011
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"In Visible Ink" on view at Court Square, Long Island City
In Visible Ink:
With works by Tracey Goodman, Alyssa Pheobus and Hanna Sandin; organized by Lisa Williams and Jaime Schwartz
8 May - 12 June 2011
"In Visible Ink" takes its inspiration from Hélène Cixous’ seminal 1975 text, “The Laugh of the Medusa,” which outlines the concept of écriture feminine, or ‘feminine writing’, loosely defined as the inscription of the female body and female difference in both language and form.
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New work on view at Grey Noise, Lahore
The centre cannot hold:
A project by Fahd Burki, Murad Khan Mumtaz and Alyssa Pheobus
27 February - 27 March 2011
"The centre cannot hold" is a line from William Butler Yeats’ portentous poem, “The Second Coming,” in which signs of the end proliferate while a great, destructive force stalks the earth. Through new works addressed to the schizophrenic conditions of life in the end times, Burki, Mumtaz and Pheobus consider the age of acceleration in light of the traditional paradigm constellating death and acceptance.
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